Paula McNamara - Manchester
I have been interested in fashion for as long as I can remember. I had romantic notions of being a successful fashion designer but at college I quickly discovered I disliked using sewing machines! By contrast, I enjoyed the design and illustration side of the industry, rather than the production side, so I spent most of my time at college illustrating fashion.
On leaving college I became involved in several projects and exhibitions. Particularly significant was the ONE TREE PROJECT (organised by Garry Olson) involving 75 artists who created various works of arts and crafts from a single oak tree donated by Tatton Park. I produced a collection of costumes constructed mainly from the leaves, branches and sawdust left after the tree was removed. This organic matter was complemented by artificial materials, such as plastics, wire and diamante.
As my career as a fashion stylist took off my work as an illustrator took a back seat. Despite this, over recent years I have become more interested in and inspired by illustration, experimenting with various styles and techniques. Through these experiments I have developed my own style and received further commissions.
Last November I participated in a joint Exhibition at HEDONIST SALON (based in the Northern Quarter), sharing the space with fellow illustrators Stan Chow & John Royle (comic artist for Marvel comics GB & USA). The work I exhibited was greatly influenced by the ART DECO period, and as earlier, by the ART NOUVEAU MOVEMENT.
This year I’m continuing with the ART DECO style and am having two solo exhibitions at HARVEY NICHOLS Manchester on the 15th November 2006 And LOVE KETCHUP GALLERY in London on 24th November 2006.
Influences.
For this set of illustrations I wanted to combine interiors, architecture and fashion. I drew inspiration from the ART DECO period and the stylish illustrative Vogue covers of the 1920s and 30s, but adding a modern twist. But in keeping with the style & elegance of the deco period.
My style has become quite architectural, I love detail & the simplicity & purity of working in line. But I don’t totally abandon technology, I take full advantage of the colour pallet that photoshop has to offer. I have a reasonably happy relationship with both mediums. Enjoying the purity of hand drawn drawings & allowing modern technology to enhance my work. But in all honesty drawing by hand is far more satisfying, than sitting at my laptop.
My specific influences include AUBREY BEARDSLEY, whose illustrations are beautifully executed and whose subject matter ranges from witty and cheeky to dark and disturbing. I love the wonderful commercial poster campaigns of TOULOUSE LAUTREC and the beautiful women of the ART NOUVEAU period illustrated by ALPHONSE MUCHA. Last but not least, an illustrator who inspired me from the start was the theatrical, flamboyant, illustrations by the French artist ERTÉ .
View Paula's Gallery